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Title: Point of Hopes
  Series: Astreiant #1
Authors: Melissa Scott & Lisa Barnett
Publisher: Tor
Format: Hardcover
Year: 1995
Pages: 384
Genre: Fantasy
  Subgenre: Fantasy Mystery, High Fantasy, Urban Fantasy
Full Disclosure: Nothing to report.

Jacket Description
Melissa Scott and Lisa Barnett's previous fantasy collaboration, The Armor of Light, is a cult classic. Now they return with Point of Hopes, a rich, exciting story with colorful, charming characters. In the convincing and wonderful fantasy world Scott and Barnett have created, astrologers and necromancers are the pundits and power brokers of the Kingdom and the police are known as pointsmen.

The royal city of Astreiant, the capital of the Kingdom of Chenedolle, is bracing itself for the influx of people, money, and trouble that invariably accompanies the Midsummer Fair. For Nicolas Rather, the wiry, street-smart pointsman with a strong sense of justice, the fair means more work: keeping the peace, preventing the pickpockets from getting too bold, and tracking down runaway youths and apprentices. But this year the number of missing children is far larger than usual; someone has been stealing them away without a trace and the populace is getting angry. At least the children are alive, Rathe knows, even though it adds to the mystery; the necromancers have not noticed any new ghosts of children.

To complicate matters, the citizens have another good reason to be anxious: theirs is a world ruled by the stars, and the heavens are now in a transition that heralds an upheaval in the Kingdom and possibly even the death of the reigning Queen. Contenders for the throne are jockeying for position, each claiming that her stars are the luckiest and most suited for the position.

Rathe suspects that the astrological portents and the missing children are linked, but has no idea how. With the unlikely help of Philip Eslingen, a handsome, out-of-work soldier, Rathe must find the children and stop whatever dark plans are being hatched before the city explodes into chaos.

My Review
This novel is incredibly satisfying, despite being fairly uneven technically. The characters are charismatic; the mystery, though fairly simple, maintains an excellent sense of tension due to the stakes; and the world is fascinating, lovingly detailed, and fairly unique among fantasy worlds. I stayed up all night to finish this, and immediately wanted to read the next in the series. (Sadly, neither of the two other Astreiant books are available in any of the library systems I have access to.)

It's actually a little surprising to me, how much I enjoyed this book, because there were several elements of its execution that normally irritate me. Scott & Barnett had inconsistent control over POV -- most of the book is told from a tight third-person viewpoint centered on either Rathe or Philip, but every once in a while they slipped into a third-person omniscient, or switched POV from Rathe to Philip mid-section. Now this isn't uncommon, particularly in fantasy from the 80s/90s, but it always bothers me. The prologue, which let the book pass the Bechdel test on the very first page, was in the POV of characters that did not appear again until a couple hundred pages in, which again isn't really uncommon in high fantasy novels, but again, usually gets under my skin.

And oh, the info-dumping! There are a LOT of passages that are just the characters thinking about how their world works, how peoples' stars affect their chances in life, what the various political factions think of each other, all things that people don't actually think to themselves in real life but which they do in fantasy novels because the authors have put in a lot of work into building their worlds and want the reader to see it. Normally this is a cardinal sin to me; I would much rather just be thrown into the world and forced to figure out what's going on for myself. But here I was willing to forgive it, because the world was legitimately fascinating. The entire social order is built around astrology, so everyone knows the time of their birth down to the hour or better, and their stars determine what careers will suit them, and they go to astrologers often to get readings for what their near-future might hold. There are masculine stars, which encourage people to wander, and feminine stars, which encourage people to settle, so for the most part women hold political power by virtue of being landowners while the militaries and trading companies are dominated by men, but plenty of men have feminine stars and plenty of women have masculine stars. Stars also determine when it's propitious to marry or have children, so same-sex relationships are common and same-sex partners can have legal standing entirely separate from marriage, which is (I think) heterosexual and focused exclusively on property.

This is what perplexed me most about Scott & Barnett. On the one hand, as I said, there were quite a few heavy-handed info-dumps about astrology and politics, and I was fine with them because they were interesting, but I still noticed them. But the world-building around gender and sexuality was just as interesting and different from the norm as the political and magical systems, and Scott & Barnett conveyed that information in my preferred fashion -- the characters simply used the terminology as was appropriate, and I was left to infer what it all meant on my own. I don't know if one author handled the politics/astrology and the other handled the gender/sexuality, and that was the cause of the difference, or if they left the gender/sexuality world-building mostly oblique so that it could fly under the radar of more conservative fantasy readers; but either way, though I did not mind the info-dumping, I wish the astrology/politics world-building had been handled as subtly as the gender/sexuality world-building was.

It was, of course, for the gender & sexuality world-building the I picked up the book -- I'm always looking for SFF that has alternate gender roles and more expansive ideas of sexuality than is typical. On the sexuality front this book satisfied completely; as I said, queer sexualities are incredibly common and entirely unremarkable in this world, and that is delightful. On the gender front my reaction was a bit more complicated. On the one hand, it's world where political power is mostly concentrated in female hands -- Chenedolle is ruled by a Queen, all the prospective heirs are female, most property owners are female, and property passes down to daughters. And this is one of the rare books that I placed on my GoodReads "A Passel of Women" shelf -- there are women everywhere in this world, as pointsmen (police officers), pickpockets, tavern keepers, and shady financiers. The preferred gender-neutral sentence construction is "she or he" instead of "he or she." The book passed the Bechdel Test despite having male leads.

But. There was a pattern that I noticed about halfway through the novel, and it's one that I do not like. Despite all the women in the book, somehow, the characters that actually moved the plot were all male. The two leads, of course; but also the butcher that reported the missing apprentice that got the action started; the drunk journeyman that was the main instigator in Philip's changes of fortune; the necromancer that helped Rathe put the pieces of the mystery together; the traders who provided a crucial piece of evidence; the shady businessman who was more involved than he knew.[Spoiler.]Even the villainess, introduced in the prologue, turned out to be a puppet for a male character.Now, it's possible that this was a deliberate choice by Scott & Barnett. After all, if feminine stars are about stability and masculine stars about change, then it is vaguely in keeping with the focus on astrology for the men to be astrologically more inclined to be the movers and shakers of plot. But really, I'm pretty sure that's a terrible bit of fanwanking on my part; I strongly suspect that despite women having equal or greater power in the world, the men have greater power in the plot because that's how insidious sexism is.

Still, despite all those little critiques, this book was simply fun. I did see where the mystery was headed in advance, but that didn't detract from the tension through the middle of the book because though I knew what was going on I did not know that everything would end well. The climax felt a little rushed, mostly because it wasn't until the climax that I was actually convinced that the astrology-based magic actually had power in the world rather than being superstition, but it was still emotionally satisfying. And despite my reservations about the narrative's gender equality, the world itself is exactly the sort of place I like to spend time, the sort of place I wish was more common in SFF -- one not enslaved to our too-narrow ideas of gender and sexuality, and with swashbuckling heroes and magic to boot. All in all I am very happy I read this, and will be seeking out more of the authors' work as soon as I can.

My Rating
Overall Satisfaction: ★★★★
  Intellectual Satisfaction: ★★★1/2
  Emotional Satisfaction: ★★★★1/2
Read this for: The world-building
Don't read this for: The prose
Bechdel Test: Pass
Johnson Test: Fail*
Books I was reminded of: The Bone Palace, by Amanda Downum; The Ladies of Mandrigyn, by Barbara Hambly; Swordspoint, by Ellen Kushner.
Will I read more by this author? Yes.



*Brit Mandelo and Jo Walton both seem to think that the Chenedolleiste are brown-skinned, and that therefore most of the characters would count as characters of color; I am not convinced. It's true, they aren't the blonde-haired blue-eyed northerners, like Philip; but they aren't the dark-skinned, coarse-haired southerners either, and given that the world bears the most resemblance to Renaissance Italy, I think they read as simply Mediterranean "brown" and therefore white.

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